What led you down this track? sydney festival 2017 festival director: wesley enoch executive director: christopher tooher festival designer: pip runciman Jennifer has 1 job listed on their profile. The highlight for me is being a part of a company. Most plays do." THE HERO FROCK HIRE 2012 APDG AWARD - FOR COSTUME DESIGN FOR SCREEN Louise Wakefield - Designer. Jennifer Irwin ... Holly Day 6 episodes, 2003 Sabrina Grdevich ... Claire Donner 6 episodes, 2003 Marcia Bennett ... assistant costume designer (6 episodes, 2006) Jennifer Buck ... wardrobe set supervisor (3 episodes, 2005) Essentially, I learned on the job. So I fell into dance and have been designing for it ever since. Costume Designer – Jennifer Irwin. Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. Self -Employed. One thing prevented him... A theatre without actors is just a building. Most recently, Jennifer designed the lavish costumes for Opera Australia’s The Merry Widow, the Australian Ballet’s Murphy Tribute and Bangarra’s Dance Theatre’s latest production Dark Emu. Also having had my work seen in places such as The Royal Opera House Covent Garden in London and the Brooklyn Academy of Music. Designer Biography Costume Designer Jennifer Irwin's career spans 30 years constructing & designing costumes for drama, opera, film and in particular for dance & ballet. "I came from somewhere, I have a background, and I’m... Sydney's independent theatre scene creates great product, argues actor and producer Matthew Cheetham. Thanks to Covid-19, Drew Fairley was trapped for two months aboard a passenger liner going nowhere. But we can use the time on our hands to... John Harrison is a theatre maker and leads Westmead Hospital's Clinical Emergency Response Team. Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. Choreographer: Stanton Welch Music: Brent Lewis Primitive Truth and Rhythm Hunter Costume Design: Jennifer Irwin Set and Lighting Design: Andrew Carter. I met Stephen Page, artistic director of Bangarra, when he was a young dancer at Sydney Dance Company. You can go anywhere with the costumes. Jennifer Irwin Costume Designer Sydney, Australia 32 connections. Lachlan Philpott shares his vision for the future of Australian stage writing with Audrey Journal. The result of this extraordinary partnership is an entirely unique costume aesthetic: sculptural, richly textured, with a strong connection to the land. Warumuk. It’s a much more organic experience. How fabrics work over time, how to cut costumes for movement. The Art Deco movement inspired costume designer Jennifer Irwin’s work for Franz Lehar’s fizzy comic opera. The MAC AUSTRALIA 2012 APDG Award - FOR MAKEUP AND PROSTHETICS Wendy de Waal - Make Up and Hair Designer. Jennifer Irwin - Costume Designer. Maisy Stapleton, spoke to Jennifer Irwin, key costume designer at Bangarra and previously at the Sydney Dance Company on Arts Thursday on 18 July 2019. Irwin will talk about her creative process and what inspired her as an artist. The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the... Suz Mawer: What I learned in Ita O'Brien's intimacy workshop. In the fifth in a series of interviews celebrating the female designer, Antoinette Barbouttis talks to Anna Tregloan. Jennifer Irwin, costume designer par excellence and recipient of the 2017 Australian Dance Award for Services to Dance, will be the special guest at an event hosted by ‘UsefulBox’ on 14 October at the Boronia tea rooms in the Sydney suburb of Mosman. Lighting Designer – Karen Norris. In the second in a series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks life and art with... Indie director Penny Harpham took a deep dive into the world of mainstage theatre with Antony and Cleopatra and, against... “Don’t underestimate the audience,” says... Declan Greene fires back at comments made by Wesley Enoch in his Nick Enright Keynote Address. Anna Cordingley questions outmoded ideas in the first in a series of interviews with leading female theatre designers. J ennifer Irwin has been creating costumes for Bangarra Dance Theatre since the company’s very beginning, and has been collaborating with Stephen Page even longer. Wollongong 24 – 25 August. In 2004, Jennifer designed the costumes for the International Box office sensation DIRTY DANCING the musical, still playing to packed audiences, breaking all pre-box office sales of any show ever staged in the history of London’s West End. I am very fabric-inspired in my designs. 'Bennelong' Choreographed by Stephen Page Set Design Jake Nash Costume Design Jennifer Irwin Music Steve Frances Lighting Nick Schlieper Photo Daniel Boud But Dirty Dancing the musical is a highlight, and it continues to tour around the world since its first staging in 2004. Jennifer Irwin Bio, Photos, Theatre Credits, Stage History - learn all about their career on stage. You’re collaborating with the artistic director and the show’s director and everything needs to sit within the set. Jennifer’s work has been stage live in over 60 countries, over 350 cities, venues including the Lincoln Centre NYC, City Centre NYC, Brooklyn Academy of Music NYC, The Kennedy Centre Washington, The Royal Opera House, Covent Garden London, Command performances at the Royal Palace Madrid and many at the Sydney Opera House. But as a white woman, I also need to be aware of all cultural protocols. I love the dynamic juxtaposition, the ancient and the modern. Jennifer Irwin’s costumes are similarly gorgeous, and particularly the widow’s outfits – each is an Instagram-worthy showstopper, from the opening black-and-gold nod to widow’s weeds, the exotic gauzy turquoise of Act 2’s Pontevedrian number, and Act 3’s gold and silver glory. I love embracing new technology such as digital printing, 3D printing and laser cutting. He invited me to do their dance costumes and I have been designing for him ever since. He was 19 or 20, I think. See the complete profile on LinkedIn and discover Jennifer’s connections and jobs at similar companies. Working with Bangarra allows me to be more creative. Can you talk a little about using that kind of natural material? Jennifer Irwin, Costume Designer: Spear. Make a creative’s heart sing, writes Ang Collins. In #5 in a series of conversations with leading Australian female designers, Antoinette Barbouttis meets an industry legend. Jenny is the winner of many awards and nominations for her designs and recognised … Working remotely and presenting work in non-theatre venues is both practical and achievable in these uncertain times. But what are actors without theatres, ponders Toby Schmitz. Personal Website. Welcome to the professional world of Jennifer Irwin, costume designer extraordinaire who, for the past 36 years, has woven her magic across Australian theatre, opera, dance, film, musicals and spectaculars. View Jennifer Irwin’s profile on LinkedIn, the world’s largest professional community. A ragtag gang of adventurers off to catch the mythical Snark. Playwright Jordan Harrison explores the mysteries of human identity and the limits - if any - of what technology can replace. Very young! I trained as a scenic artist, but my first professional job was with Sydney Dance Company in the early 1980s. Jennifer designs regularly for all of the major Australian companies. Bangarra's Yolande Brown is inspired by a book exploding assumptions about the ways indigenous people related to and managed the land. When I design for Bangarra, the costumes are always abstract and create a skin that the dancers transform into an art piece. A dancer has to feel safe in a costume, there’s risk involved. Hurrah Hurrah return with a team of robotic vacuum cleaners hacked to torment their human counterparts. Conductors: Massimo Zanetti (until 6 Jul); Nicholas Milton (11–25, 29, 31 Jul; 1, 2, 3 Aug); Brian Castles-Onion (27 Jul; 6, 7, 10 Aug) Director: Graeme Murphy Creative Associate: Janet Vernon Production Designer: Michael Scott-Mitchell Costume Designer: Jennifer Irwin Lighting Designer: Damien Cooper Master Electrician & BlackTrax Diviner: Jason Morphett Costume designer Jennifer Irwin speaks to Neil Litchfield about designing for Terrain, and for 20 years with Stephen Page and Bangarra. Sydney 18 July – 18 August. I’ve been doing dance for so long now it has become second nature to create and understand the vocabulary of different choreographers. What are your costume design career highlights? How did you get involved with Bangarra Dance Theatre? Opera singers need to sing unconstrained. Who is Jennifer Irwin? In the second in a series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks life and art with Anna Gardiner. National Tour: Melbourne 29 June – 7 July. “The first one is a cocktail party where there’s lots of waltzing so I went with long dresses and put everyone in long satin gowns that sat well within the black and gold of the set. Graeme put contemporary dance on the map in Australia. Date: 21 Jun 2018 Jennifer Irwin’s career spans four decades and she creates for drama, opera, dance and ballet and major events. You use bold ochres in your costume designs for Bangarra. There are practical issues to consider, too, like partnering and longevity when you’re dancing eight shows a week for months on tour. Photos. "Everything was just so raw and we were working on the run. Report this profile; About. “The Merry Widow has three acts,” she explained. NORPA in Lismore offers performing artists much more than a subtropical getaway. In Bangarra Dance Theatre’s latest work, Terrain, choreographer Frances Ringsexplores the wonder and spiritual resonance of Kati Thanda (Lake Eyre), the place of Australia’s inland sea: one of the few untouched natural waterways in the world. And why not? Actors need character. Jennifer Irwin’s career spans 36 years constructing and designing costumes for drama, opera, film and, in particular, for dance and ballet. We're still working on the run! Jennifer designs regularly for all of the major Australian companies. I love that I’ve had the opportunity to work on an international scale. I was in the right place in the right time to learn. Playwright Charles O'Grady goes there. Join to Connect. From film school reject to Hollywood legend, take a look at Steven Spielberg's career so far and explore what lies ahead.. Watch the video When you work for a company for 30 years, you have to push forward to maintain originality and freshness. The best in home-grown theatre, comedy, cabaret, circus and food, presented in the iconic Bondi Pavilion. Costume Designer Jennifer Irwin’s career spans 30 years constructing & designing costumes for drama, opera, film and in particular for dance & ballet. meriton festival village - 2017 sydney festival. Every time I do a show with Bangarra, I try to push my design harder than the last one. Every genre of performance has different priorities. Jennifer Irwin’s costumes can be seen in Bangarra Dance Theatre’s Dark Emu, touring now. Every show I’ve designed is completely different. But it struggles to sell it. “Design is so much more than making things look pretty”. It’s like family. Dressing bodies is my primary interest and I could always sew. Costume design Jennifer Irwin Set design Peter England. Visually, this production rolls out on a red carpet. If a dancer can’t move due to costume, then it’s not going to work. Jennifer Irwin’s career spans four decades and she creates for drama, opera, dance and ballet and major events. JI: I’ve only ever been interested in costume. Over the years, the Bangarra costumes have become far more sculptural. Jennifer Irwin has designed for drama, opera, and dance as well as the largest spectacular events ever staged in Australia. Submit Photos Here . The designs will unleash the full impact of the powerful and dynamic movement that West Side Story is […] I designed and made all the costumes, maintained them and toured internationally with the company. Adelaide 29 August – 1 September. I had permanent employment at Sydney Dance Company, during the grassroots years of the company – the Graeme Murphy period. Most recently, Jennifer designed the lavish costumes for Opera Australia’s The Merry Widow, the Australian Ballet’s Murphy Tribute and Bangarra’s Dance Theatre’s latest production Dark Emu. 'Terrain' Choreographed by Frances Rings Set Design Jake Nash Costume Design Jennifer Irwin Music David Page Lighting Karen Norris Photo Jeff Busby Canberra 13 – … Burning Man. I try to source fabrics that I can turn into something else, something with texture I can paint, or dye, or bleach, or layer with other fabrics. APDG Best Emerging Designer for Live Performance (Nominated) APDG Mentor Program 2020 (Costume design mentorship under Jennifer Irwin) FREDERIK J GIBSON BEQUEST (Secondment under Rajha Shakiry at National Theatre London) Education; mfa design for performance , National Institute of Dramatic Art (NIDA) Designer Jennifer Irwin working on costumes for Dark Emu. Set Designer – Jacob Nash. Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. Underbelly Razor. Designers Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. Looking at the main stages of Sydney, you could be excused for thinking that this is a golden age for... "I was half expecting it to fail. Jennifer Irwin With the world premiere of Infinity taking place in Melbourne in only a couple of weeks, Anna Sutton spoke to costume designer Jennifer Irwin about her collaborations with Graeme Murphy and Stephen Page for The Narrative of Nothing and Warumuk: in the dark night. Designer Jennifer Irwin working on costumes for Dark Emu. Bennelong COSTUME DESIGN: Jennifer Irwin APDG SET DESIGN: Jacob Nash LIGHTING DESIGN: Nick Schlieper The History of The Kelly Gang Production Designer: Karen Murphy THE HARP IN THE SOUTH - Part 1 Costume designer: RENEE MULDER Lighting designer: NICK SCHLIEPER Ochre is a clay and it comes in many colours and Bangarra usually sources it from the appropriate homelands. The People's Choice competition for the 2019 Martin-Lysicrates Prize is open and it's not just the playwright who stands to... Actor Michelle Ny argues for conscious rather than colourblind casting. Dirty Dancing [West End, 2006] Costume Designer. Queer Representation on Stage: Between... Is identity politics having a reductive effect on queer representation in our theatres? Why would a "Capital-A Actor" choose sex work? Tongan-Australian writer Winnie Dunn speaks to the Voice, Agency and Integrity Report produced by Diversity Arts Australia. Youth theatre should not be training for thought and action in the future, argues Iris Simpson. Costume design by Jennifer Irwin Gift of The Australian Ballet, 2006 Australian Performing Arts Collection, Arts Centre Melbourne "We commissioned this ballet to be a partner piece for the existing ballet Rites in 2006. Jennifer Irwin, costume designer par excellence and recipient of the 2017 Australian Dance Award for Services to Dance, will be the special guest at an event hosted by ‘UsefulBox’ on 14 October at the Boronia tea rooms in the Sydney suburb of Mosman. Her work has also been seen on the stages of Belvoir and the Melbourne Theatre Company, on screen (the feature film Spear), the Royal Opera House Covent Garden, the Lincoln Centre (New York City) and the Brooklyn Academy of Music. It's not that hard to do. It's more than just the money writes "Adelaide". We design as a collaborative group, there’s no working solo. More info here. But does anyone know what a Snark looks like? In our series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks opportunity, craft and career with Melanie Liertz. Jennifer has been designing costumes for … Having designed costumes for Stephen Page's works prior to his Bangarra artistic directorship, award winning Costume Designer Jennifer Irwin reflects on her long-standing journey, sharing highlights, learnings and the uniqueness of the Bangarra world. It’s an entirely collaborative process. Dancers sweat. It takes a live-wire to electrify a venue in danger of losing its mojo. Arts funding in Australia is a car crash argues Big hART's Scott Rankin in a newly published Platform Paper. When anything over 90 minutes is considered long-haul, why do we still make marathon theatre? AB: You are a costume designer, not a set designer. Known as one of Australia’s greatest theatrical costume designers, having worked in film, musical theatre, opera and ballet around the world over the past 36 years, Irwin’s designs for this brand new production of West Side Story have been keenly anticipated. If they fall due to the costume, that could end their career. How do your own aesthetics come in to the design process? Her work includes over 85 ballets as well as some of the largest scale spectacular productions ever staged in Australia including the Opening and Closing Ceremonies for the Sydney 2000 Olympic Games and the Official Ceremony marking the Centenary of Australian Federation 2001. And I designed 25,000 costumes in one year for the Sydney 2000 Olympics. ... Costume Design. costume design:jennifer irwin lighting design: nick schlieper photography credit: brett boardman. Irwin will talk about her creative process and what inspired her as an artist. It's been a tough year, writes theatre maker Suz Mawer. 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